cinema

catching up

Dear friends, how have you been? It feels like ages since I last wrote a post - last week was simply too much of a whirlwind to even contemplate it. And now, it’s Friday yet again, and it will be November before we know it.

The last fortnight has held a lot of work, a lot of running around, a lot of a-ha moments, and a lot of signs that I have probably been working too hard and need to take it easy. Therapy has shown me that busy-ness and work, much as I enjoy it, is also how I distract myself and keep at bay things I might not want to talk about or am not ready to process yet. It’s been that kind of year, and I’m sure it will continue that way until it’s out. Such is the way of things, I’ve learned.

As always I find my anchoring in writing, in music, in reading, in meditation, in nature and in the company of the people I love most. How deeply grateful I am to have all those things.

The main event is that we had a joyful celebration of Tom’s birthday, which was quite a change from his last two birthdays - in 2020 we could only have a limited number of people to the house, and last year we were completely locked down (an introvert’s dream birthday, you could say). So that’s leading on nicely to…

Favourite experience/s of the week

A quiet but fun-filled day celebrating Tom, where we did all his favourite things and had lovely visits and Facetimes with family and friends. We shared a cake with our niece and nephew who are heart-burstingly adorable. And we had a wonderful trip to Gold Class where we saw a great film, had champagne brought to us, and felt very spoiled indeed. You only turn 42 once, after all, and I’m glad my darling Tommy got to do it in style.

I also attended my friend Holly’s book event in Hobart - despite getting caught in a biblical downpour on the way there and therefore looking like I’d been for a swim in my clothes when I arrived, it was a wonderful, memorable and inspiring evening as expected!

Reading

I finished Lucy Caldwell’s excellent short story collection Intimacies - about young women trying to find their place in the world, navigating emigration, motherhood, nostalgia, loss, temptation. I really enjoyed it. It also inspired me to trawl through my hard drives and find short stories I wrote during my London years that I never quite finished, on very similar themes. I discovered Lucy Caldwell quite by accident and I’m so glad I did! She’s a great writer, deserving of as much praise as Sally Rooney, in my opinion.

I’m dipping in and out of Break the Internet by Olivia Yallop which is basically a deep dive into the world of influencers and the industry that has built up around them, particularly over the last seven or so years. I’m finding it both infuriating and fascinating! The internet, and the world, was a very different place when I started blogging in 2005. Back then it was hard to imagine anyone wanting to watch a video of someone unboxing something, let alone that you might get famous, amass millions of followers and a veritable fortune for doing so. Some children I used to babysit (who are now, naturally, in their twenties!) have done just that, which boggles my mind. It’s an interesting experience to read this book as someone who didn’t exactly have a non-existent online profile themselves back in the day, and to be torn between feeling like I dodged a bullet or missed the boat. On balance I think it was the former. Either way it’s a great read and showcases what a disturbing landscape has been created in terms of why and how people get famous these days. A perfect companion/antidote would be So You’ve Been Publicly Shamed by Jon Ronson, an excellent book I read a few years ago, which hammers home the very dark side of “going viral”.

Rereading Natalie Goldberg’s The True Secret of Writing - I started reading The Body Keeps the Score but found that a bit heavy for bedtime reading, so switched to something that would get me in my happy place! Natalie’s words always make me want to write. I should also reread Dani Shapiro’s Still Writing, one of my favourite books on the creative life.

I also finished reading a wonderful biography of Gwen Harwood and writing a review of it, which I’ll hopefully be able to share in a few weeks.

Creative Boom: Beat the industry’s seven deadly sins with these brilliant books - I want to read all of these!

Catapult: Trying to escape the trap of digital productivity by Richa Kaul Padte - oh boy, how I related to this! My own stepping away from social media at the start of the year was a spontaneous decision but in the nearly 10 months that have elapsed since then, I can see it was something that had been brewing in my subconscious for a very long time. Padte makes some really interesting points about social media turning your life into a performance even when you are consciously trying to subvert that idea:

Even when I am not posting a picture, when I have ideologically committed to not posting it, I am still producing it in my mind’s eye. This compulsive documentation of my surroundings isn’t for personal use; instead, it is vertically shot and artfully arranged for a grid I can’t seem to escape. It’s what the environmentalist Vandana Shiva terms elsewhere a “colonization of the mind,” which feels, in the digital era, inextricably linked with the logic of productivity.

To be honest, I can’t believe it’s been nearly a year. I deactivated Facebook quite some time before this year’s complete exodus, so it’s been even longer since I was on there in many meaningful way. It has profoundly changed my life and outlook. I have so much to say about it and I’ll do another update for you all soon. Thank you Richa Kaul Padte for throwing a log on my internal fire!

I finished Jarvis Cocker’s Good Pop Bad Pop which was as wonderful as I had anticipated. I wonder about doing a project of my own along similar lines - I have boxes and boxes of detritus from my childhood and early adulthood that my parents stored for me while I lived in the UK, and now naturally boxes of ephemera from my life in the UK too. Jarvis ponders in his book, as he is faced with an unwieldy pile of mess in his loft - why do we save things? Why do we collect things? What do these random piles of stuff we amass in the course of our lives and keep hidden away say about us and what we value? What sort of story do they tell about us and our lives? These are fascinating questions and I very much enjoyed Jarvis’s attempts to answer them.

And finally, I am listening to Toni Morrison’s Beloved on audiobook, read by the author herself, as I finish an embroidery project. It’s blowing my mind. Our Hidden Nerve session on Thursday (I can’t quite believe we only have one more to go) featured a few passages from it as an illustration of the presenter’s point about use of metaphor, how to create sensuousness in your writing without being obvious, and also how to write about anger. It was a really big penny-drop moment for me and I think it deserves a post all of its own, so stay tuned for that.

Listening to

On my morning runs, I’ve been doing something different and listening to affirmations over house music. Elroy Spoonface Powell (Chakra Blue) is my favourite. It’s a great change, and particularly good on days I feel a bit slow and lethargic. Running is a great mood lifter anyway but with these affirmations in my AirPods, it’s a complete endorphin-filled experience! Highly recommended. You can listen to Chakra Blue on Tidal (as I do) or Spotify.

Happy Place: The Craig David episode was brilliant. If you’re a recovering people pleaser, this will resonate.

Chill and Prosper with Denise Duffield-Thomas: I don’t know how this landed in my feed but I’m glad I discovered it. I listened to the episode where Denise talks about how to fix undercharging and overdelivering in business and I had quite a few a-ha moments! Worth a listen for all you freelancers out there!

I have recently made a playlist of favourite classical tracks and have recently rediscovered Brahms’ Serenades which were a favourite of mine as a teenager, which I played non-stop (but quietly) when I sat up late writing by candlelight like Jo March in Little Women. I love how music instantly transports you back to the time you associate with it, I could practically see my school bag in the corner.

Eating

I made Deliciously Ella’s spiced cauliflower and cashew pilaf traybake again (pictured) which was even nicer than the first time - probably because I added some chilli powder, haha! It’s a really easy and delicious meal, I thoroughly recommend trying it out.

An Italian-flavoured two lentil soup which I made a vat of - took a container round to my sister who has a newborn and an almost-three-year-old, and then we enjoyed the rest both as a soup with bread and then as a pasta sauce the next day when it had thickened overnight. Love a meal that does double duty!

Vegan chocolate cake for Tom’s birthday - which our niece pronounced “delicious”! - and vegan banana bread, just for something extra!

I made a rather divine creamy broccoli pasta with capers and aged cashew cheese, which we both loved. I think there was a sweet potato mac and cheese in there too.

Now I’m trying to meal plan for the next week and this is what I have in mind:

  • Quinoa pad thai (a Rachel Ama recipe, from her second and latest book)

  • Fennel and butter bean stew

  • Veggie burgers

  • Some sort of curry, most likely an Indian flavoured one because I bought a rather addictive mango pickle from Namaste Spices in Moonah and am glad of any excuse to eat it

  • Chickpea and sausage casserole

  • Most likely a pasta as well, which Tom has said on many occasions he could happily eat every day!

That’s all I’ve got so far! What’s on your meal plan?

Watching

Tom and I went to see Amsterdam for his birthday outing and we LOVED it. Never, ever believe the online reviews. I’m glad we didn’t! It’s quite something when a film set nearly 90 years ago manages to say a great deal about the present day.

Amsterdam is a complex murder mystery that unfolds alongside a poignant tale of love and friendship between three people who met and bonded on the battlefields of the First World War. Despite the horrors they witnessed and endured at the Front, Burt (Christian Bale), Harold (John David Washington) and Valerie (Margot Robbie) spend a happy period of living it up in post-war Amsterdam, and all return to America feeling hopeful and optimistic about the future. Nearly 15 years later, the three are drawn back together when their old army colonel dies suddenly. His daughter (Taylor Swift) believes he has been murdered and asks Burt and Harold, who have stayed in touch all this time and are still best friends, to investigate on the quiet. Unfortunately, the daughter’s hunch is correct and she too is bumped off before Burt and Harold can confirm her suspicions. There is then an extensive flashback to their time in the army and in Amsterdam, which give the viewer many clues as to how they’ve ended up in this situation. Back in 1930s New York, they find themselves unexpectedly reunited with Valerie and the three join forces once again to unearth the culprit and to also expose some dangerous right-wing underground activities that are brewing, some of which involve a few people they know.

Written and directed by David O.Russell, Amsterdam is a very clever and well-produced film full of dark humour but with also some very serious messages about the world we live in today: the prejudices that are still alive and well; how needless suffering is allowed to happen; how tolerance of dangerous rhetoric can have terrible consequences (the theme of turning a blind eye was brilliantly symbolised with the use of eyes in Valerie’s artwork and in Burt’s glass eye); the futility of war and greed; and that choosing love over hate is vital but not enough on its own. We also have to fight to protect kindness, which is usually the first casualty of power being pursued at all costs. “I’m very happy to be unimportant and live in a place that has love and beauty,” muses Valerie. “Art and love, that’s what makes life worth living.”

I have spent much of the last six years despairing over the state of politics in the Western world, as I imagine many of you have too. Living in the UK as Brexit rumbled and the Tories stripped the country’s integrity away piece by piece; sharing my American friends’ horror, grief and fear as Trump was voted in; too numb to cry as I watched the Australian election results in 2019 and we learned Morrison was staying where he was for the foreseeable. In each situation, I always wondered HOW?! How has this been allowed to happen?! I am no political scientist but I am a historian. And the great lesson of history is that people and nations rarely learn from it. Watching this film, two years on from the ousting of Trump, was a curious thing. I have listened to many podcasts and read many articles about the situation and conditions that were created in America that allowed him to rise to power in the first place, but it never crystallised more for me than in the watching of Amsterdam. All the clues are there, if you want to see them. It’s not about the 1930s, or the aftermath of the First World War. It’s about the world we have lived in for the past few decades, and where it all came from.

Honestly, I cannot recommend it enough. As does the birthday boy, who said “if they were releasing it on 4K Blu-Ray tomorrow, we’d be watching again tomorrow. I can’t wait to see it again!”

Wearing

I haven’t worn them yet but I finally bit the bullet and bought myself two pairs of new running tights, as the ones I bought in 2019 are starting to get holes in them! In fact most of my running gear is very old - I still have the Sweaty Betty capris I ran the London Marathon in (which also have holes, so I use those for gardening), Lorna Jane gear I’ve had since 2013, yoga pants I bought in Canada in 2007 (!), the list goes on. It’s all lasted pretty well considering how I practically live in workout gear. My friend Anita recommended Australian brand Abi + Joseph to me ages ago and this week they had a 70% off sale, so I was out of excuses! I’m excited to run in tights that have a pocket for my phone, instead of using my spi-belt that has never sat on my hips properly or wearing a jacket with zipped pockets, which just gets too hot this time of year. Will report back.

Quote of the week

Holly quoted this short poem by Mary Oliver at her event last Friday evening, and I’ve been thinking about it ever since. I think it sums up the human experience in general!

“We shake with joy, we shake with grief. What a time they have, these two housed as they are in the same body.” - Mary Oliver


If you’d like to share your thoughts on this post, or anything else, with me, please do! Have a happy and safe weekend xx

this week and last week

Has spring sprung? It’s still pretty bloody cold down here…

What can I say, things have been a bit crazy! Here we go…

Favourite experience/s of the past two weeks

It would have to be our 12th wedding anniversary, which was on the first day of September, and which, predictably, was freezing and a washout (we didn’t think when we got married in the UK’s late summer that one day we might move back to Australia!) so our plans for a romantic day out in the open air were shelved for another time. We stayed close to home instead - we had lunch out at a nice place that was only a short walk away and then went to the movies! The rain had finally stopped as we walked home at dusk, hand in hand, bundled up in our winter coats. Tom also surprised me with a bouquet of flowers the size of a small child, which were stunning and has lasted the best part of two weeks!

Last week was also the anniversary of our first date so Tom and I have also now been together for 15 years, over a third of our lives, which I find staggering in many respects. We’re still finding new things to get excited about, new adventures to plan, and we never tire of hearing each other’s stories or run out of things to say. It shouldn’t surprise me, but it does. Perhaps it’s because of everything I went through before I met him, but I never take having a happy, solid marriage for granted. Even through the harder, darker times we’ve faced as a couple - things I know previous relationships would have well and truly crumbled under the pressure of - we are still standing and, despite everything this strange and relentless year has thrown at us, we are actually happier than ever. He truly is the best thing that ever happened to me. I’ve felt very lucky these past few weeks.

Reading

The last week of August/first week of September was all about getting my first draft to my supervisors so if I read anything that week, it was just my own words, over and over, wondering how I might ever entice some magic out of the mess that a first draft invariably is. But my primary supervisor kindly texted me a few days later saying she’d read it already (!) and enjoyed it, so I have been breathing a little easier since then!

But I finished Dessa’s book which I mentioned in the last this week, and I also started at Tom’s recommendation (insistence!) Run Towards the Danger: Confrontations with a Body of Memory by Sarah Polley. Tom bought this book because of the Baron Munchausen film connection (which he loved as a child) but ended up being very moved it and thinks I will enjoy it, so I’ll report back!

I also read my friend Fiona’s debut cookbook From Scratch which was absolutely wonderful, just as I had anticipated. If you want to learn how to make some pantry staples from scratch that not only work out cheaper but better for you to boot, this is the book you need. Whether it’s yoghurt, peanut butter or rice crackers, you’ll find a simple and yummy-sounding recipe in here. I also loved reading some of my favourites of Fiona’s stories she shared back in the ye olde blogging days!

And of course we had the sad news of the Queen’s death last Thursday - I have found myself on the Guardian website more often over the past few days than in many previous weeks combined! I found this piece by Jeanette Winterson and this one by Nesrine Malik the standouts of everything I’ve read. Quite different opinions, but I agree with both of them. Charles III has previously shown himself to be an ally of the climate and committed to diversity. Now he is King I really hope he continues to be so.

Listening to

How to Fail: Jarvis Cocker, whose book I am also currently reading. Always a pleasure to hear Jarvis and his invariably funny and thoughtful musings. And yes, I am on a first name basis with him because we once spoke at a Foyles event some years ago, haha! I particularly appreciated what he had to say about being vulnerable in your creative work, as I had just sent my supervisors my first draft and was quietly terrified:

[to be creative]…you have to be vulnerable and also open to making a fool of yourself. You have to feel like you’re walking on a tightrope and you could fall off and it will all be a disaster. But that’s what you have to do otherwise what you’re writing about, singing about, making films about, painting…it isn’t going to mean anything. It’s got to mean something to you first for it then to mean something to another…I think there’s a Leonard Cohen quote that says ‘anyone can show a scar, but it takes courage to show a pimple.’

That made me feel a lot better. Author Andrea Eames, who I interviewed for my own podcast nearly 10 years ago now, also said something similar in my interview with her, which I’ve borne in mind over the last few intense months of writing and in the queasy moments that followed pressing “send” on the draft:

I felt like I was free-falling…and I sort of feel like you have to feel like that when you're writing. If you don't feel terrified of what you're doing, it’s probably not very good. I think you sort of need to be uncomfortable and off your guard and vulnerable to write anything worthwhile.

I have to keep reminding myself that books are slippery things - they often won’t be what you thought or hoped they would be - and that no one will give me permission to write this book. Confidence is something I have to choose, and I also have to hold my nerve, every step of the way. What an education this is proving to be!

Best Friend Therapy: Transactional analysis therapy - another fascinating episode, which explored the role of our various internal voices and how we can find our way to a nurturing and calm adult way of seeing things.

Picking

I took advantage of a warm day when I wasn’t feeling too under the weather (I caught a cough off my sister - but it was not covid!) to tidy up the garden, dig in some compost and mulch with seaweed which Dad brought round. I picked some very healthy looking nettles which were growing wild in the garden, and a random carrot which I don’t remember planting! The celery and rainbow chard continue to produce well. I haven’t had to buy celery all year thanks to my amazing plants! The leaves are also a great substitute for parsley too (which hasn’t grown very well for me - maybe I don’t wear the trousers in this house after all! [that’s an old wives tale]).

Eating

We had lunch outside at the start of the week, for the first time since April, but it’s been freezing pretty much every day since! Typical mercurial spring weather!

I made some rather lovely nettle soup from the nettles (pictured) which had an almost broccoli taste, which was really delicious.

Other yummy things I’ve made over the past two weeks (not all of them photographed, alas!):

  • Emma Galloway’s dhal with roasted cauliflower on the side

  • A rather epic apple crumble

  • Lime and ginger loaf cake

  • Sweet potato mac and cheese (veganised, which I think I now prefer to the original!)

  • Curried pumpkin, lentil and cauliflower soup

  • Vegetable cashew noodle stir fry (not dissimilar to this, just without tofu)

  • Tofu and rice with satay sauce (also from Emma Galloway’s latest book)

  • Vegan pizzas (still loving the mushroom, green olive and basil pesto combo)

  • Deliciously Ella’s mushroom and walnut ragu

We also tucked into some of the vegan chocolate stash we brought back from the UK!

If you would like any of the recipes for the dishes above that I made up, including the nettle soup, do let me know and I will happily write them up…provided I wrote down what I did of course, haha!

Watching

We have seen quite a few films these past few weeks.

Three Thousand Years of Longing (at the cinema) - this was our anniversary treat, and as it was a rainy Thursday afternoon we (almost) had the entire cinema to ourselves. Anything with Tilda Swinton and Idris Elba in it is going to be good, am I right? This was just what I was in the mood for - a well-crafted and acted film with a big brain and surreal/fantastical elements. An accomplished, outwardly content but somewhat lonely scholar (Swinton) buys an artefact in an Istanbul bazaar while there on a conference (she is a narratologist). Back at her hotel room she cleans the artefact, and a Djinn (Elba) appears, offering her three wishes in exchange for his freedom. Anyone expecting a “adult version of Aladdin” as I saw the film referred to in some reviews might be disappointed. It’s actually a very intellectual (as well as visually stunning) exploration of what stories mean and what cultural functions they serve (as cautionary tales, to maintain the status quo, etc). It also examines the idea that unless love is given freely, it isn’t really love at all (in other words, you cannot wish for it). Visually arresting, ambitious in scope and very funny in places, it’s a wonderful film to escape into. I really loved it.

Jurassic World Dominion (4K Blu Ray) - Tommy’s choice, you’ll not be surprised to hear, haha! Getting the original cast back together for this film was the main attraction for me, as I imagine it was for many, and Jeff Goldblum delivers even the most mundane lines in his usual scene-stealing way. Especially when he says: “Jurassic World. Not a fan.” Hahaha! But overall, despite the dazzling animatronics and some genuinely terrifying moments, it wasn’t my favourite of the franchise. Good fun though!

The Flipside (DVD) - OMG, what a find this was. Tom had gone into JB Hifi to get Jurassic World and while I was waiting for him to find it, I spotted this. Reading the synopsis, I was immediately intrigued. An Australian film, set in Adelaide and the Barossa, with all the ingredients of a Phil film - comedy, romance, food and wine, road trips, missed chances, the complicated emotional lives of women. A no-brainer, frankly! The minute it started playing, I knew we were going to enjoy it. It was very charming, clever, well-acted and the right amount of quirky. It reminded me a lot of one of my all time favourite films, Sideways. And yes, we watched it while drinking a Barossan shiraz and a meal that included quite a few Maggie Beer products - I like to team the evening meal with the theme of our chosen film!

I’ve become a little obsessed with Marion Pilowsky’s (the director) back catalogue - she has a lot of very funny and clever short films available on Youtube. I really related to what Marion said about why she made The Flipside:

After working in London for many years I returned to my hometown of Adelaide to focus on writing and directing. In the beginning it really struck me how alien I felt after being away for so long. As I readjusted the vast differences in culture and mind-set between Europe and Australia, it gave me an idea for a story that I felt many could relate to - the visitors from hell. This is a film about finding your true home, love, sex, food and bloody good Shiraz, as well as being my own personal ode to Australia.

She’s pretty much described the sequel to The Latte Years (which may or may not be in the works)!

Honestly, nothing makes me happier than discovering a funny, well-written, truly enjoyable film - and the fact it was written and directed by an Australian woman is a wonderful bonus. From what I could tell it wasn’t particularly well reviewed and I can’t really understand why - I guess people just didn’t get it. But I got it wholeheartedly! I urge you, if you’re in Australia, to seek it out - I don’t think you’ll be disappointed. And Castle fans, you’ll spot a beloved actor from that film in this one and he uses profanity in exactly the same hilarious way. Let me know if you check it out!

Grateful for

Good health (well, the knowledge that a hacking cough is just that and it will pass). A loving husband and family. Friends who show they care. That I live somewhere safe and uncrowded, where the streets are so silent at night you would think you were the only person living there. A roof over my head, food on the table, clean water, a warm bed. The usual suspects!

As I think I’ve hinted at quite a bit in my This Week posts, 2022 has not been an easy year. But, in my stronger, more clear-headed moments, I like to think I have grown more resilient because of it, and I have also been shown that I have a choice where my energy goes. I cannot control how anyone else has chosen to behave but I can choose how much energy I give to things that are, at the end of the day, not actually about me at all. It’s so easy to get bogged down in dramas and doubts, but life is not a guarantee, it is a gift and should be lived with reverence for what matters most. “Be here now” is my most oft-repeated mantra in meditation and it does help ground me. I am truly grateful for all the moments of enlightenment, in whatever form they’ve come, that have led to greater awareness and resilience.

Quote of the week

“We are what we believe we are.” - C.S Lewis

If you’d like to share your thoughts on this post, or anything else, with me, please do! I hope you’re all keeping safe and well xx

i ain't afraid of no ghost

Photo: Columbia Pictures

Photo: Columbia Pictures

I have to confess, I came to the whole Ghostbusters franchise quite late in life – once I met my film buff husband, for whom both Ghostbusters (1984) and Ghostbusters II (1989) are the equivalent of childhood comfort food. He watches them and he is instantly a little boy again. While I grew up in the same era, I had three younger sisters and so most of the films I was exposed to as a child had to be suitable for all of us. I was also quite a sensitive kid and ghosts were considered too scary! So it was Muppet Babies, Care Bears and My Little Ponies for us, which I don’t think was a deliberate thing on my parents’ part – this was just what was assumed little girls wanted to watch. And we did enjoy them.

Nearly 30 years since the last Ghostbusters film, Paul Feig (director of Bridesmaids and Spy) has revamped the franchise. It is not a remake of the original story, nor merely a continuation of it, but takes the premise of the original, reimagines it and brings it into the modern world. It’s very funny and very clever.

Oh, and the Ghostbusters are all women this time! Something that has a few people up in arms, but I’ll go into that in a minute.

If you don’t know the story of the film, here’s a very brief recap – with many ghostly appearances and happenings in New York City, three physics/parapsychology professors (Kristen Wiig, Melissa McCarthy and Kate McKinnon), linked by the past and by circumstance, find themselves out of their cushy research jobs, joining forces and setting up a ghost removal service. After being called to the Manhattan subway to investigate and attempt to capture a “Class 4 apparition”, metro worker Patty (Leslie Jones) is inspired to join them. The government are distressed and want the Ghostbusters to keep quiet. Meanwhile, Rowan (Neil Casey), a hotel worker with a grudge, is scheming to open the gateway to another dimension which will release untold evil upon the city. So, who you gonna call?

A unique update with high quality performances

Ghostbusters is a fabulous update of a much-loved story and manages to be quite unique at the same time. There are many respectful nods to the original but Feig and the new Ghostbusters manage to make this their own. I particularly enjoyed the fact that, with Manhattan rental prices being famously out of reach of most people, the women can’t afford to set up shop in a funky fire station and end up in dilapidated rooms above a Chinese restaurant that fails, to the chagrin of Melissa McCarthy’s character, to produce a decent wonton soup.

Kate McKinnon as Jillian Holtzmann. Photo: Hopper Stone/Columbia Pictures

Kate McKinnon as Jillian Holtzmann. Photo: Hopper Stone/Columbia Pictures

All four of the Ghostbusters give high quality performances – being Saturday Night Live alumni, their comic timing is never off and they work really well as an ensemble. The one who stood out the most for me, who stole every scene she was in, was Kate McKinnon as Jillian Holtzmann, a character in the same mould as Harold Ramis’s iconic character Egon Spengler in the original. McKinnon brings great depth, and also an element of great joy,  to the mad scientist stereotype by portraying Jillian as a woman with bags of personality, full of quirks, strength and real feelings. 

Another enjoyable aspect of the film is that all of the original Ghostbusters, plus other actors from the 1984 and 1989 films, make cameo appearances at some point. There’s even a sweet nod to the late Harold Ramis (see if you can spot it).

A political/feminist statement?

It’s a shame that this film has been criticised for being “feminist” and “political” – but the very fact that the revamp of a franchise where the lead characters are female instead of male is labelled as a political act rather than one of storytelling says so much about why a film like this is so important.

If you want to read the new Ghostbusters as a political/feminist statement, there is plenty here for you to chew on. The film does, bravely, address the inherent sexism that is still, despite the advances made since Suffragette times, at large and hangs around both in Hollywood and in our culture like chocolate stains on a white blouse. I found it interesting that in the original Ghostbusters, the four men are discredited, shunned and accused of being frauds at every turn – exactly the same thing happens in this version, but of course it feels more loaded, purely because they’re women. I suppose women being confident in themselves and their abilities, and who are competent in a traditionally male dominated field, are still considered radical things in some quarters - I’ve found that to be true in my own life, that’s for sure!

It’s also incredibly refreshing to go and see a Hollywood blockbuster where the focus is not on the attractiveness of the female leads. The Ghostbusters are intelligent and passionate women who are conflicted, quirky and downright loopy. Apart from a few mentions of Patty’s garish jewellery, the women’s physical appearance is secondary, quite rightly so for a film where they all get covered in the ghosts’ ecto-vomit at some point!

But what about the men?

Another common criticism of the film is that the men in it are one-dimensional and typecast, with cries of double standards that one couldn’t get away with portraying women in such a manner these days. Personally, I think it’s a nod to the fact that women have been and in some cases still are portrayed that way but also the fact that men find themselves on the receiving end of sexism too. The movie’s token stud-muffin, receptionist Kevin (played by Chris Hemsworth who, to my delight, keeps his Australian accent), is not immune to being objectified for his looks. Kristen Wiig’s character makes a beeline for him and insists on the Ghostbusters hiring him even though he is the most useless receptionist in the history of the world. Later on (spoiler alert!), Kevin has been possessed by the ghost of the film’s truly creepy villain Rowan and goes back to the hotel where he was a mocked and undervalued janitor to exact his revenge. Two security guards notice him, with his blond hair and muscular physique, and make a wise-crack about how they hadn’t ordered a stripper. Kevin is also the only character to be ‘rescued’ in the film – in the original, of course, it is Dana (played by Sigourney Weaver, who also shows up in this version!), the love interest, who needs rescuing. This time, it’s the other way around. Read into that what you will.

Because, despite what I’ve described above, the film, to its great credit, doesn’t spell any of this out. There are no attacks (apart from ghostly ones). It’s all just implied, in my opinion. Like most things in life, we tend to get what we focus on and if you pick hard enough at the locks of the basement door, a ghost will come out eventually!

Speaking of the ghosts in this film, they are quite creepy – as is the ecto-vomit that comes out of them! 

If your main objective in going to the cinema is to be entertained then you won’t be disappointed by Ghostbusters.  Is it a perfect film? No. But it's fun and there is much to enjoy about it. All the uproar from critics and trolls spewing forth that this film has “ruined” their childhoods and “women aren’t funny” rings truly hollow if you actually bother to see the film. The laughable thing is that it is exactly the ridiculous, misguided criticism of the film, not to mention the despicable attacks Leslie Jones was subjected to on Twitter, that proves how much this film was needed. And we need more of them.

So, if you care about equal representation in Hollywood, if you want to see more blockbusters and action comedies with real women front and centre, if you want your sons and daughters to grow up in a more equal world, or if you just want to forget about life for two hours, pretend you’re nine years old again and have no idea how much sugar is in a Choc-Top ice-cream, go and see this film. It’s sassy, smart and fun.

Ghostbusters is currently showing in cinemas in the UK, the US and Australia, release details for other countries are here.